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Plays

—The Tale of Genji Reimagined in Noh

This section introduces two representative Noh plays adapted from The Tale of Genji: Aoi no Ue and Nonomiya. Each performance visualizes emotion and memory through masks, costumes, and movement, reflecting how Noh transforms literary emotion into stage art.

[Aoi no Ue (Lady Aoi) : Story Paper PDF : 607KB ]

[Nonomiya : Story Paper PDF : 560KB ]

Visual & Emotional Comparison

Nonomiya emphasizes subtle melancholy, nostalgia, and gentle longing, using soft tones for the Maeshite and deep red layered robes for the Nochishite to convey lingering attachment. In contrast, Aoi no Ue highlights intense jealousy, rage, and vengeance, with vivid reds, bold layering, and more dramatic mask expressions to communicate explosive emotion. While both plays use masks, costumes, wigs, and fans to externalize internal feeling, Nonomiya presents emotions in a refined, introspective, and graceful manner, whereas Aoi no Ue delivers a tense, confrontational, and visually striking expression of passion.

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Created by: Yihan Liu

Graduate Student, Japanese Visual Culture Programme

Supervisor: Dr. Lim Beng Choo

Department of Japanese Studies, NUS

 

© 2025 National University of Singapore

All images and videos used for educational purposes only.

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Contact Me

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National University of Singapore

Department of Japanese Studies

Level 5, AS4, 9 Arts Link, Singapore 117570

yihanliu0926@163.com |  Tel: 86-15216139826

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